adrian frater
WESTERN BUREAU:
Ace deejay Bounty Killer decisively dismissed the notion that he can't help but being 'cross, angry and miserable' when he surprised fans with an incredible 'culture-lace' set at Western Consciousness 2011, which climaxed at Paradise Park, in Westmoreland, early Sunday morning.
With fans already in a tizzy following earlier high-calibre performances by the likes of the time-less Freddie McGregor, Luciano, reggae icon King Sounds, D'Angel, the classy Dubtonic, risqué female deejay Tanya Stephens and House of Leeds recording star Iyahblazze, the nattily attired Bounty Killer, clad in his trademark full black, hit the stage with authority, declaring himself, "Rodney Pryce (his correct name) in hi-definition."
good songs
Bounty Killer soon had the fans rocking gleefully to his lyrics as, in between declaring that, 'a long time me a sing good songs but it's like them like when me get cross, angry and miserable,' he rolled steadfastly through songs like, Poor People Fed-up, Cyaa Believe Me Eye, Originality, Down In The Ghetto and Before Dem Seek God.
After declaring that, "they can take away my visa but they can't stop my voice from leave yah," Bounty Killer got even hotter, reeling off, Born As A Sufferer, The Country Mash-Up, Book,Cellular and Too Dangerous, before taking a break to encouraged parents to send their children to both regular school and Sunday school, arguing that the children should be exposed to God as well as a good education.
After a lyrics-filled half hour, Bounty Killer exited the stage. However, the appreciative fans demanded more and the clearly pleased deejay unleashed, Gimme Back Me Hennessey, and after briefly speaking about his recent run-ins with the law, fired off the song, Stronger, as his parting shot.
Beenie Man, who closed the show in the aftermath of Bounty Killer's stellar performance, was quite generous in congratulating his former arch-rival, getting the crowd to join him in applauding the performance. Following that, Beenie Man played a tidy set, reeling off several hits as he enjoyed himself with the fans, especially the ladies.
After watching fellow female deejay star D'Angel playing a restrained set during which she held her own with songs like, Hot Gal A Road, First Lady, and Time Of My Life, a less than subtle Tanya Stephens came close to the edge on a few occasions with her thought-provoking lyrics.
"I will be celebrating the un-celibacy of rasta tonight", the lyrically astute Tanya Stephens bypassed and in some instances switched words as she skilfully delivered songs like, Cyaa Handle De Ride, Goggle, Mr. Mention, Bomb Wuk, Tek Him Back, These Streets and It's A Pity, in a non-controversial manner.
London-based King Sounds was velvety smooth. Sharing his set with deejay Supa Sass he was absolutely masterful. Clad in full white and looking almost biblical with his flowing white beard, the veteran singer was as crisp as a compact disc, churning out hits such as, Book of Rules, Games People Play, Give Dem Love and I Shall Sing, which was complemented by the blazing lyrics of Supa Sass.
Reggae messengers
Reggae messengers Luciano and Big Ship captain Freddie McGregor were both masterful and composed in their respective sets. Luciano was quite clinical in his cover of Peter Tosh's, Legalize It, during which he puffed on a spliff, much to the delight of the fans while the elder statesman McGregor, kept them dancing with songs like, Africa, Push Come to Shove and Big Ship.
From a roots music perspective, House of Leeds recording star Iyahblazze and Lutan Fire, who is recovering from a recent bout of illness, were both very good. Lutan Fire was crisp on songs like, St Jago Dela Vega and Blood Stain while Iyahblazze got an encore after belting out, What If, Rasta and Woman I Need.
On a night when musical instruments were solidly represented, top-flight show band, the potent Dubtonic and Uprising Roots both played pleasing sets, combining sweet vocals with soul-stirring instrumental delivery. After their set, Dubtonic left no doubt why they were recently voted the top reggae band in the world.
With others acts like the solid Droop Lion, the velvet-smooth Hezron, the lyrically potent Little Hero, a mature-sounding Harry Toddler, the resurgent Turbulence, the Canada-based Jah Cutter and the deejay policeman Stamma T also chiming in with good performances, it would appear that promoter Worrell King got the mix just right.
WESTERN BUREAU:
Ace deejay Bounty Killer decisively dismissed the notion that he can't help but being 'cross, angry and miserable' when he surprised fans with an incredible 'culture-lace' set at Western Consciousness 2011, which climaxed at Paradise Park, in Westmoreland, early Sunday morning.
With fans already in a tizzy following earlier high-calibre performances by the likes of the time-less Freddie McGregor, Luciano, reggae icon King Sounds, D'Angel, the classy Dubtonic, risqué female deejay Tanya Stephens and House of Leeds recording star Iyahblazze, the nattily attired Bounty Killer, clad in his trademark full black, hit the stage with authority, declaring himself, "Rodney Pryce (his correct name) in hi-definition."
good songs
Bounty Killer soon had the fans rocking gleefully to his lyrics as, in between declaring that, 'a long time me a sing good songs but it's like them like when me get cross, angry and miserable,' he rolled steadfastly through songs like, Poor People Fed-up, Cyaa Believe Me Eye, Originality, Down In The Ghetto and Before Dem Seek God.
After declaring that, "they can take away my visa but they can't stop my voice from leave yah," Bounty Killer got even hotter, reeling off, Born As A Sufferer, The Country Mash-Up, Book,Cellular and Too Dangerous, before taking a break to encouraged parents to send their children to both regular school and Sunday school, arguing that the children should be exposed to God as well as a good education.
After a lyrics-filled half hour, Bounty Killer exited the stage. However, the appreciative fans demanded more and the clearly pleased deejay unleashed, Gimme Back Me Hennessey, and after briefly speaking about his recent run-ins with the law, fired off the song, Stronger, as his parting shot.
Beenie Man, who closed the show in the aftermath of Bounty Killer's stellar performance, was quite generous in congratulating his former arch-rival, getting the crowd to join him in applauding the performance. Following that, Beenie Man played a tidy set, reeling off several hits as he enjoyed himself with the fans, especially the ladies.
After watching fellow female deejay star D'Angel playing a restrained set during which she held her own with songs like, Hot Gal A Road, First Lady, and Time Of My Life, a less than subtle Tanya Stephens came close to the edge on a few occasions with her thought-provoking lyrics.
"I will be celebrating the un-celibacy of rasta tonight", the lyrically astute Tanya Stephens bypassed and in some instances switched words as she skilfully delivered songs like, Cyaa Handle De Ride, Goggle, Mr. Mention, Bomb Wuk, Tek Him Back, These Streets and It's A Pity, in a non-controversial manner.
London-based King Sounds was velvety smooth. Sharing his set with deejay Supa Sass he was absolutely masterful. Clad in full white and looking almost biblical with his flowing white beard, the veteran singer was as crisp as a compact disc, churning out hits such as, Book of Rules, Games People Play, Give Dem Love and I Shall Sing, which was complemented by the blazing lyrics of Supa Sass.
Reggae messengers
Reggae messengers Luciano and Big Ship captain Freddie McGregor were both masterful and composed in their respective sets. Luciano was quite clinical in his cover of Peter Tosh's, Legalize It, during which he puffed on a spliff, much to the delight of the fans while the elder statesman McGregor, kept them dancing with songs like, Africa, Push Come to Shove and Big Ship.
From a roots music perspective, House of Leeds recording star Iyahblazze and Lutan Fire, who is recovering from a recent bout of illness, were both very good. Lutan Fire was crisp on songs like, St Jago Dela Vega and Blood Stain while Iyahblazze got an encore after belting out, What If, Rasta and Woman I Need.
On a night when musical instruments were solidly represented, top-flight show band, the potent Dubtonic and Uprising Roots both played pleasing sets, combining sweet vocals with soul-stirring instrumental delivery. After their set, Dubtonic left no doubt why they were recently voted the top reggae band in the world.
With others acts like the solid Droop Lion, the velvet-smooth Hezron, the lyrically potent Little Hero, a mature-sounding Harry Toddler, the resurgent Turbulence, the Canada-based Jah Cutter and the deejay policeman Stamma T also chiming in with good performances, it would appear that promoter Worrell King got the mix just right.
